RENTAL

Mar 14 2020

#Ren t #Ren #t



Ren t

*******

83%
liked it

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Critic Reviews for Rent

High hopes, flat results.

The movie, directed without a personal stamp of any kind by Chris Columbus, is so slick that the grime comes from a spray can and the grungy bohemian costumes look rented from a Betsey Johnson boutique sale.

It’s real — and, on screen, it’s really cringe-worthy. Not quite Phantom of the Opera cringe-worthy, but not as much fun to blow raspberries at, either.

The film captures the beautiful spirit and the raw energy of Larson’s play, and it respects the wonderful, gorgeous, life-affirming music.

RENT is mediocre and recommended only to those who can claim a familiarity with the play.

A mediocre, unimaginative, inefficient filmmaker, Columbus delivers a Rent that isn’t so much bad as perfunctory.

Chris Columbus, who managed to suck the magic out of the first two Harry Potter films, does the same with this adaptation.

As strong as the music is, there’s not much tying Rent together; it’s a series of sequences, not a story.

A TV-special metallic ring hangs over the whole production, skimming surfaces without touching emotion

If a bunch of models living in a huge apartment without income is America, then I live in Bizarro World.

film, za razliku od predstave, daleko bolje isti%u010De jednodimenzionalnost i neuvjerljivost likova

Recommended, but only for shut-ins who can’t make it to a local live theater production of the play.

Audience Reviews for Rent

Nothing rings true in this insufferable musical that doesn’t have any focus and is filled with awful songs of pedestrian lyrics (some of them sung by terrible singers), centered on a completely artificial and outdated idea of New York based on stereotypes and clich├ęs.

At one point in time, I would have said that I would probably go my whole life without ever watching this film adaptation of one of the longest running and most popular Broadway musicals of all time, that is also loosely based on the opera La Boheme. What changed all that? Well, this film is one of the favorites of my most recent ex, and, during our time together I had her watch several of my favorite films, so why not be fair and watch some of hers. And, surprisingly, I actually kinda liked this, and more than I thought I would. The story, set in 1989/1990 New York concerns a group of friends struggling to eek out an existence in the Bohemian neighborhood of Alphabet City. Besides being a bunch of hipstery artists and creative types, what unites these people is their shared struggles with poverty, and, in some cases, addiction recovery, and the AIDS epidemic. Pretty grim stuff for a musical, but obviously it has worked. When this film adaptation was announced, I vaguely remember a lot of people getting irked because not only were they making it PG-13, but it was being director Chris Columbus (Home Alone, Mrs. Doubtfire, the first two Harry Potter films). Still, even then, it got a decent reception, even with some pretty mixed views as well. When it came to pass that I finally saw this, I tried to be open minded about it, both in general, and because I’m a good guy and a great boyfriend. And yeah, I ended up actually kinda liking it. Ganted, it’s overlong, and yeah, with Columbus directing it, it is a very shiny, pretty movie that downplays a lot of the grimness and grittier stuff, but even then it still manages to get the point across .I do think this would be an even better and stronger work if it was darker, grittier, and more streamlined, but that’s how I would feel no matter who directed it. As for the music, it’s good. Very contemporary Broadway show tunes style, but I expected that. Sometimes it gets a bit rock operaish, which is cool, but it’s mostly very popish. In my ideal version, it’d have more of an edgier rock presence, but whatever. The cast (almost all of whom are reprising their roles from the stage) are terrific, really nailing both the singing and the characters and their chemistry with one another. Again, since most of them are reprisals, it was expected, but nevertheless cool. As for the new people (like Rosario), they do fine too. No real complaints here. In my review for Frozen, I mentioned how the music was very Broadway show tuneish, something I shouldn’t be too surprised about since Idina Menzel features prominently in both. The set pieces are well done, the subject matter is still relatable and relevant, and this movie gives you a lot to chew on. The cinematography is pretty decent, and I recall at least one well executed long take, but a lot of it just feels like a filmed version of a play, which, depending on how you feel, is either good or bad. For me it depends on the thing in question, but here, I kinda wished it was less stagy, as that keeps the fiom from ultimately being it’s own thing. All in all, I ended up liking this a hell of a lot more than I ever thought I would. Yeah, it’s not really my thing, and I think it is kinda overrated, but a lot of it just comes down to personal preferences with aesthetics. Yeah, it should be a lot less pretty and watered down, but at least they still get the point across.


*******
SOURCE: http://www.rottentomatoes.com/m/1152276_rent

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